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Words near each other
・ Don't Lose Heart, Suzanne!
・ Don't Lose My Number
・ Don't Lose the Money
・ Don't Lose The Music
・ Don't Lose This
・ Don't Lose Touch
・ Don't Lose Your Cool
・ Don't Lose Your Head
・ Don't Lose Your Head (INXS song)
・ Don't Love Make a Diamond Shine
・ Don't Leave Me (Ne Me Quitte Pas)
・ Don't Leave Me Alone, Daisy
・ Don't Leave Me Behind/Silent Stream
・ Don't Leave Me Lonely
・ Don't Leave Me Now
Don't Leave Me Now (Pink Floyd song)
・ Don't Leave Me This Way
・ Don't Leave Me This Way (Tina Turner song)
・ Don't Let Daddy Kiss Me
・ Don't let Devon go to waste
・ Don't Let Go
・ Don't Let Go (album)
・ Don't Let Go (Ben Sidran album)
・ Don't Let Go (David Sneddon song)
・ Don't Let Go (Isaac Hayes album)
・ Don't Let Go (Jesse Stone song)
・ Don't Let Go (Love)
・ Don't Let Go (Wang Chung song)
・ Don't Let Go the Coat
・ Don't Let Him Go


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Don't Leave Me Now (Pink Floyd song) : ウィキペディア英語版
Don't Leave Me Now (Pink Floyd song)

"Don't Leave Me Now" is a song by Pink Floyd. It appears on ''The Wall'' album (1979) and was released as a B-side on the single of "Run Like Hell".
==Composition==
The main section of "Don't Leave Me Now", recorded with synthesizer bass, organ, piano, and a delay-treated guitar, does not adhere to one single key, but rather cycles slowly through four dissonant and seemingly-unrelated chords, for two measures of each: An E augmented chord, followed by a D flat major seventh chord, a B flat dominant seventh chord with a suspended second, followed by a G Major chord, which, after one bar, augments its fifth, before returning to the beginning of the progression. The first three chords all sustain the notes G♯/A♭ and C, and this interval is then lowered chromatically by one semitone for the conclusion on G Major. Furthermore, the roots of this chord progression (E, D♭, B♭, and G) outline the intervals of a diminished seventh chord. The roots relate to each other as a pair of tritones - the E and B♭ form one tritone, and the D♭ and G form the other. Musicologist and author Phil Rose described this section of the song as "entirely non-functional harmonically" and stated that "()ost of the time when a phrase ends, Waters is either singing one of the most dissonant notes in the accompanying chord, or a non-chord tone."〔''Pink Floyd: The Wall'' (1980 Pink Floyd Music Publishers Ltd., London, England, ISBN 0-7119-1031-6 (ISBN 0-8256-1076-1 ))〕〔Rose, Phil. ''Which One's Pink? An Analysis of the Concept Albums of Roger Waters and Pink Floyd''. Collector's Guide Publishing Inc. ISBN 1-896522-47-5 (ISBN 1-896522-17-3 )〕 There is no percussion, and the tempo is very slow.
In the second section, drums, bass, and guitar enter, and the music becomes more consonant, resolving to the key of A minor through the use of D and A suspended second chords, as David Gilmour sings a refrain of "Ooh, babe".

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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